| Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | 10:08 | |
| Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | 8:40 | |
| String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Eckart Runge, Cuarteto Casals | 3:30 | |
| Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | 1:57 | |
| Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | 9:32 | |
| Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | 5:07 | |
| Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | 9:43 | |
| 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Transcribed by Oscar Morawetz for Violin, Cello & Orchestra) | Antonín Dvořák, Seiji Ozawa, Yo-Yo Ma, Itzhak Perlman, Boston Symphony Orchestra | 3:30 | |
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | 8:20 | |
| The Tender Land Act II: Finale | Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra | 5:36 | |
| Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | 9:56 | |
| Serenade for Strings in C Major, Op. 48, TH 48: III. Elegia | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | 10:47 | |
| Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | 3:58 | |
| Symphony No. 2 in B-Flat Major, D.125: I. Largo — Allegro vivace | Franz Schubert, New York Philharmonic, Alan Gilbert | 10:13 | |
| 4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | 3:59 | |
| Peter and the Wolf, Op. 67 (Without Narration): Andantino | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | 0:55 | |
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | 3:14 | |
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | 2:13 | |
| Berceuse, Op. 16 | Gabriel Fauré, Michael Healy, RTE Sinfonietta, John Georgiadis | 3:33 | |
| Water Music Suite No. 1 (Excerpts): 7. Bourree | George Frideric Handel, New York Philharmonic, Pierre Boulez | 1:07 | |
| Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | 2:01 | |
Több megtekintése Songs Like X Pro-val |
| Candide: Overture | Leonard Bernstein, New York Philharmonic | 4:10 | |
| Water Music: Suite No. 2 in D Major, HWV 349, I. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | 2:22 | |
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | 3:01 | |
| Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | 4:17 | |
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | 5:01 | |
| Down a Country Lane | Aaron Copland, BBC Philharmonic, John Wilson | 2:17 | |
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | 7:01 | |
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