| Sibelius: Karelia Suite, Op. 11: II. Ballade | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | 6:35 | |
| 5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | 2:35 | |
| A Downland Suite: III. Minuet | John Ireland, English String Orchestra, William Boughton | 4:57 | |
| Frensham Pond | William Lloyd Webber, Emma Johnson, John Lenehan | 2:23 | |
| Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | 2:44 | |
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | 7:05 | |
| Piano Trio No. 39 in G Major, Hob. XV: 25 'Gypsy": II. Poco adagio | Joseph Haydn, Trio Wanderer | 5:07 | |
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | 2:10 | |
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | 2:20 | |
| Estancia, Op. 8a: II. Danza del trigo | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | 4:58 | |
| Dream Children, Op. 43: I. Andante | Edward Elgar, English Chamber Orchestra, Paul Goodwin | 3:13 | |
| Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | 8:22 | |
| Suite for Flute and Piano Op. 34 No 1: III Romance | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | 5:05 | |
| Prelude et Scherzo for Flute and Piano, Op. 35 by Henri Busser | Henri Büsser, Laurel Zucker, Paul Switzler | 5:48 | |
| Rota: Sonata for Flute and Harp: II. Andante sostenuto | Nino Rota, Anneleen Lenaerts, Emmanuel Pahud | 4:25 | |
| Libertango | Astor Piazzolla, Emma Johnson | 2:19 | |
| The Young Person's Guide to the Orchestra, Op.34: Theme (Allegro maestoso e largamente) | Sir Simon Rattle, City Of Birmingham Symphony Orchestra | 1:57 | |
| Letter from Home | Aaron Copland, BBC Philharmonic, John Wilson | 5:44 | |
| Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | 7:30 | |
| Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | 6:34 | |
| Peter and the wolf, Op. 67 - Narration in English: 17. This is how things stood | Sergei Prokofiev, Peter Ustinov, Philharmonia Orchestra, Philip Ellis | 2:00 | |
| Több megtekintése Songs Like X Pro-val |
| Pictures at an Exhibition (Orch. M. Ravel): Promenade | Modest Mussorgsky, Maurice Ravel, Minnesota Orchestra, Eiji Oue | 1:33 | |
| Romanze für Viola und Orchester in F-Dur, Op. 85 | Max Bruch, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | 9:04 | |
| 2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | 2:04 | |
| Fanfare pour preceder La Peri | Paul Dukas, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | 2:04 | |
| The Sea Suite: I. Seascape | Frank Bridge, Vernon Handley, Ulster Orchestra | 7:00 | |
| River of Crystal Light | Peter Lieuwen, Texas Music Festival Orchestra, David Campbell, Franz Anton Krager, Moores School Symphony Orchestra | 9:13 | |
| Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): II. Sarabande | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | 3:59 | |
| Madrigal | Philippe Gaubert, James Galway | 4:28 | |
| Neruda: Trumpet Concerto In E Flat - Iilargo | Johann Baptist Georg Neruda, Tine Thing Helseth | 5:25 | |
| Concertino for Flute and Piano, Op. 79 by Cecile Chaminade | Cécile Chaminade, Laurel Zucker, Robin Sutherland | 8:07 | |
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Thema, "Chorale St. Antoni". Andante | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | 2:03 | |
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | 3:13 | |
| Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | 10:08 | |
| 2 Movements: Csurdongolo (Barn dance) | Leó Weiner, Emma Johnson, Julius Drake | 2:47 | |
| Le Tombeau de Couperin, M. 68: III. Forlane (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | 6:18 | |
| St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | 1:42 | |
| Divertimento for flute, oboe and clarinet, Op. 37 (1952): 5. Maestoso | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly | 1:37 | |
| Concertino for clarinet and strings: 4. Allegro risoluto | Giuseppe Tartini, Emma Johnson, English Chamber Orchestra, Yan Pascal Tortelier | 3:02 | |
| Pavane Pour Une Infante Defunte, M.19 (Arr. for Oboe & Orchestra) | Maurice Ravel, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | 5:49 | |
| Passaggio | Ludovico Einaudi, Emma Johnson, John Lenehan | 4:36 | |
| On Hearing The First Cuckoo In Spring | Frederick Delius, Welsh National Opera Orchestra, Sir Charles Mackerras | 7:00 | |
| Adagio for clarinet and strings in D flat "Wagner's Adagio" | Heinrich Joseph Baermann, Emma Johnson, English Chamber Orchestra, Sir Charles Groves | 4:53 | |
| Woodland Sketches, Op. 51: To a Wild Rose | Edward MacDowell, Emma Johnson, Julius Drake | 2:17 | |
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | 5:10 | |
| Three Shanties for Wind Quintet, Op. 4 (1943): 1. Allegro con brio | Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly, Claire Briggs, Susanna Cohen | 2:26 | |
| Clear and gentle stream, Op.17, No.4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | 4:30 | |
| Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | 3:41 | |
| Scaramouche, Op. 165d: II. Modéré | Darius Milhaud, Sebastian Manz, Martin Klett | 4:22 | |
